http://musicblog.dallasnews.com/archive ... za-hu.html
FRISCO - The demon onstage was Gene Simmons, the blood-spewing, tongue-wagging bassist for iconic classic rock band KISS. Simmons and fellow KISS mates Paul Stanley (the Starchild), Eric Singer (the Catman) and Tommy Thayer (Space Ace) headlined Saturday's Rock'N the Park at Pizza Hut Park.
The day-long festival attracted more than 12,000 fans and featured performances by two Dallas hard rock groups, Drowning Pool and Revengeance, Fort Worth's Pat Green , Daughtry, The Envy and The Academy Is.
Simmons had some competition from another demon, this one with a bleacher seat. Chris Hardt, 26, of Fort Worth, was decked out in demon regalia - full make-up, 7-inch platform shoes, spiked sleeve cape, everything. He posed for picture after picture.
"I've been a fan since I was 15," Hardt said before seeing KISS in concert a third time. "I love their music. The stage show is awesome. I haven't met them yet. But I want to."
It took Hardt an hour to put on the get-up, which he purchased from an official KISS costume website.
The original demon had his biggest moment before the audience, many of which were standing on the stadium's field, during his signature blood-spitting introduction to "I Love It Loud." That should've been the theme of the two-hour-plus show, which throbbed with relentless pyrotechnic explosions, billowing smoke, the sparkling black-and-platinum wardrobe, risers, hydraulics and a high cable that transported Stanley from the main stage to a small platform above the floor throng.
He sang "I Was Made for Lovin' You," one of six encore tunes, on that mini-platform before gliding back to join his buddies.
Fans ate up the spectacle. One overzealous guy hopped onto the stage, and before security could card him off he dove into the crowd. It was all perfectly synchronized as if rehearsed.
A couple of KISS songs deserve special mention: "Crazy Crazy Nights," a rarity in concert, and "Shock Me," a 1977 Ace Frehley track so identified with the former band guitarist that it was jarring to hear Thayer sing it.
But nobody flinched, especially not the array of families in attendance. Everywhere you looked there were 40-something parents with their 10-something child.
Every style of rock 'n' roll still bridges the generations. Daughtry's modern rock had an anthem-like vibe. Drowning Pool's roaring rock proved exhilarating in the scorching afternoon heat. And Green's Texas country-rock, odd in this line-up, blended seamlessly. A handful of teenagers on the floor did a mosh-meets-honky-tonk spastic thing. Now that's acceptance.
